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Chris Wilde Antiques

Portrait of Lady Lucy Pelham by Cornelius Johnson

( c. 1647) England




Portrait of Lady Lucy Pelham by Cornelius Johnson

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Dimensions

25.00inch wide   30.00inch high (63.50 cm wide  76.20 cm high)


External Dimensions

32.00inch framed width   37.00inch framed height (81.28 cm framed width  93.98 cm framed height)


Description

Oil on canvas in good quality carved and silver-gilt 17th c. Lely-panel frame.
(Although now rarely seen, at one point in the seventeenth century silver-gilt frames were very fashionable; Samuel Pepys had all his paintings framed so.)

This beautifully painted portrait is a fine example of Johnson's work...the material almost tangible in its realism, and, in this portrait in particular, the sitter's face depicted with great talent and sensitivity. As one of Johnson's later works it shows the strong influence of Sir Anthony van Dyck.

LADY LUCY PELHAM born before 1631, died 1685.
She was the daughter of Robert Sidney, 2nd Earl of Leicester and Lady Dorothy Percy (daughter of the 9th Earl of Norhumberland).
In 1647, the year between the First and Second Civil Wars, she married Sir John Pelham, 3rd Baronet (born before 1627, died 1702/3), son of Thomas, Baron Pelham of Laughton.
Sir John was M.P. for Hastings 1645-6, M.P. for Sussex 1660-98.
They had four children.

Lady Lucy Pelham was also painted by Sir Peter Lely, now in the Collection of the Earl of Yarborough (also a Pelham).

CORNELIUS JOHNSON (also known as Jonson, Jansen, Van Ceulen) 1593-1661, was born in London, the son of Flemish emigres.
Although Waterhouse thought he was trained in Holland it seems more likely (as Collins Baker has it) that Marcus Gheeraerts was his master in London.
Johnson is the most satisfying and 'English' of the portraitists working in England in the first part of the seventeenth century. He has a fine technique with a restrained and introspective style, with careful attention to the costume details.
His accurate portraits are never flattering but a sober and objective portrayal of his usual sitters: the gentry and lesser nobility. His style is easily identified by its coolness and restraint.


Provenance

James Thursby Pelham of Cound Hall, Shropshire; thence by descent.

Verso: a 19th c. inscription identifying the sitter, but confusing the names of father and son.


Literature

A. Finsberg, 'A Chronological List of Portraits by Cornelius Johnson', published by The Walpole Society in 1922 (p.30, no.87, fig. LXII).


Price

gbp 10950.00 (Pound Sterling)

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